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Diego Velazquez
The Lances,or The Surrender of Breda
mk61
c.1634-35
Oil on canvas
307x367cm
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Diego Velazquez
View of the Garden of the Villa Medici in Rome
mk61
c.1649-1651
Oil on canvas
48x42cm
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Diego Velazquez
View of the Garden of the Villa Medici in Rome II
MK61
C.1649-1651
Oil on canvas
44X38cm
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Diego Velazquez
The Spinners or The Fable of Arachne
mk61
c.1657
Oil on canvas
167x252cm with additions 220x289cm
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Diego Velazquez
Detail of The Spinners or The Fable of Arachne
mk61
c.1657
Oil on canvas
167x252cm with additions 220x289cm
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Diego Velazquez
El Aguador de Sevilla
mk65
Oil on canvas
40 15/16x29 1/2in
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Diego Velazquez
Self-Portrait
mk67
Oil on canvas
40 3/4x32 1/4in
Uffizi,Gallery
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Diego Velazquez
Prince Baltasar Carlos in Hunting Dress(detail)
mk64
1635-1636
Oil on canvas
191x102cm
Madrid,Museo Nacional del Prado
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Diego Velazquez
The Tapestry-Weavers
nn05
1644-1648
Manufacturing riddle
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Diego Velazquez
Details of The Tapestry-Weavers
nn04
A person who needs to work deserves contempt
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Diego Velazquez
Details of The Tapestry-Weavers
nn02
The importance of a career at court
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Diego Velazquez
Details of The Tapestry-Weavers
nn05
The revenge of the offended goddess
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Diego Velazquez
Details of The Tapestry-Weavers
nn05
Homage to the Venetian master
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Diego Velazquez
Equestraian Portrait of Gaspar de Guzman,Duke of Olivares
mk68
Oil on canvas
Madrid,Prado
c.1632-1634
Spain
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Diego Velazquez
Surrender of Breda
mk68
Oil on canvas
Madrid,Prado
c.1634-1635
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Diego Velazquez
Portrait of the Jester Don Sebastian de Morra
mk68
Oil on canvas
41 3/4"x32"
c.1648
Spain
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Diego Velazquez
Las Meninas
mk68
Oil on canvas
10'5"x9'
Madrid,Prado
1656
Spain
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Diego Velazquez
Evangelist Johannes auf Patmos
Medium Oil on canvas
Dimensions Deutsch: 135,8 ?? 102,3 cm
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Diego Velazquez
Old Woman Cooking Eggs
mk84
1618
Edinburgh,National Gallery of Scotland
canvas 90x169cm
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Diego Velazquez
Adoration of the Magi
mk84
1619
Madrid,Prado,canvas
203x125cm
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| Diego Velazquez
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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